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Gustav Klimt slottet kammer vid attersee oil painting


slottet kammer vid attersee
Painting ID::  65295
Gustav Klimt
slottet kammer vid attersee
1910, wien osterreichische galerie, 110x110cm se

   
   
     

Gustav Klimt unterach vid attersee oil painting


unterach vid attersee
Painting ID::  65296
Gustav Klimt
unterach vid attersee
1915, salzburg, residenzgalerie, 110x110cm se

   
   
     

Gustav Klimt bondgard i ovre osterrike oil painting


bondgard i ovre osterrike
Painting ID::  65297
Gustav Klimt
bondgard i ovre osterrike
1911-12, wien osterreichische galerie, 110x110cm se

   
   
     

Gustav Klimt appletrad i oil painting


appletrad i
Painting ID::  65298
Gustav Klimt
appletrad i
omkring 1912, wien museum des 20.. jahrhunderts,110x110cm se

   
   
     

Gustav Klimt allea i slottet kammers park oil painting


allea i slottet kammers park
Painting ID::  65299
Gustav Klimt
allea i slottet kammers park
1912, wien osterreichische galerie, 110x110cm se

   
   
     

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     Gustav Klimt
     Austrian Art Nouveau Painter, 1862-1918 Gustav Klimt (July 14, 1862 ?C February 6, 1918) was an Austrian Symbolist painter and one of the most prominent members of the Vienna Art Nouveau (Vienna Secession) movement. His major works include paintings, murals, sketches, and other art objects, many of which are on display in the Vienna Secession gallery. Klimt's primary subject was the female body, and his works are marked by a frank eroticism--nowhere is this more apparent than in his numerous drawings in pencil. Klimt's work is distinguished by the elegant gold or coloured decoration, often of a phallic shape that conceals the more erotic positions of the drawings upon which many of his paintings are based. This can be seen in Judith I (1901), and in The Kiss (1907?C1908), and especially in Danaë (1907). One of the most common themes Klimt utilized was that of the dominant woman, the femme fatale. Art historians note an eclectic range of influences contributing to Klimt's distinct style, including Egyptian, Minoan, Classical Greek, and Byzantine inspirations. Klimt was also inspired by the engravings of Albrecht D??rer, late medieval European painting, and Japanese Rimpa school. His mature works are characterized by a rejection of earlier naturalistic styles, and make use of symbols or symbolic elements to convey psychological ideas and emphasize the "freedom" of art from traditional culture.

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